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Moon over Buffalo

Moon Over Buffalo Logo00

by Ken Ludwig
Directed by
Tommy Towne


Moon Over Buffalo Logo 1 Poster

This hilarious comedy centers on George and Charlotte Hay, fading stars of repertory theatre in 1950's Buffalo. The couple has just lost their last chance at stardom--leads in a Frank Capra movie. To make matters worse, their agent is smitten with Charlotte and the company ingenue is pregnant by George. Add to the mix, an almost deaf grandmother/costume mistress and a forgetful weatherman/fiancee and the soup thickens! When the agent calls to say Frank Capra will be attending the matinee, we discover George is missing and the company can't figure out of it's playing Private Lives or Cyrano de Bergerac. The plot is full of misunderstandings, misplaced affections, and missing persons.
Moon Over Buffalo" by Ken Ludwig is a play about actors - to Austrian readers it might be known by its German name "Cyrano in Buffalo" under which it was staged at the Kammerspiele in Vienna in 1999. "What I like about this play - when you work in the theatre business you are sure to have experienced some of the things happening in the play", Don Fenner tells the "Wiener Zeitung". George and Charlotte Hay are on tour in Buffalo with a very small company and financial problems. When Charlotte finds out that her husband has betrayed her and their daughter's fiancee forgets his name, the trouble really starts. Banging doors, cases of mistaken identity, misunder- standings and Irish coffee end in reciting Shakespeare, break-ups, new loves and a much-bruised main character.

The Scene:
On stage and backstage at the Erlanger Theatre
Buffalo, New York, 1953

Act I :

A mid-Morning in June

Act II:

    Scene 1 :

Two hours later

    Scene 2 :

Immediately following

    Scene 3 :

Two hours later

CHARACTERS
George Hay    
George Hay : Kevin Wixson
Kevin Wixson
Charlotte Hay
Charlotte Hay : Wanda Limbardi-Davis
Wanda Limbardi-Davis
Ethel
Ethel : Denise Roller
Denese Roller
Rosalind
Rosalind : Sonja Sweeney
Sonja Sweeney
Howard
Howard : Mike Grogan
Mike Grogan
Eileen
Eileen : Wendy Halraven
Wendy Halraven
Paul
Paul : McKay Carpenter
McKay Carpenter
Richard
Richard : Dick Griffin
Dick Griffin
Director
Director : Tommy Towne
Tommy Towne

This production will use the Main Stage Theater Seating Layout.

Moon Over Buffalo Rehersal
Moon Over Buffalo : Rehersal Time


Production Dates

Friday October 4th
Saturday October 5th
Friday October 11th
Saturday October 12th

Anamated LitBar

Random Pictures from the Production
All pictures and set designs © copyright 2002 Townplayers of Pittsfield, Inc. and Marc Grimshaw

Moon Over Buffalo Set
Moon Over Buffalo Set © copyright 2002 by Marc Grimshaw


Moon Over Buffalo Set
Moon Over Buffalo Set © copyright 2002 by Marc Grimshaw


Moon Over Buffalo Set
Moon Over Buffalo Set © copyright 2002 by Marc Grimshaw


Moon Over Buffalo Set
Moon Over Buffalo Set © copyright 2002 by Marc Grimshaw

Line, Anamated

ACT I

Cyrano (George)  :  I am Cyrano de Bergerac!
Three Soldiers Behind Scrim (Weakly)  :  Yea.
George  :  Stop! Stop! For the hundredth time, I want the cheer louder!
Three Soldiers Behind Scrim (Weakly again)  :  Yea.


Ethel  :  OH! . . . Rosalind! What a surprise! You look adorable!
Roz  :  So do you! You look great!
Ethel  :  I'm afraid you'll have to speak up, dear.
Roz  :  Grandma, can I get you your hearing aid?!
Ethel  :  No thank you, dear, I'm not in the mood for lemonade.


Roz  :  It's sort of sweet that you're nervous about meeting them.
Howard  :  Nervous? Look at me, I'm a wreck! Do they know that I'm in show business.
Roz  :  You're a weatherman.


George  :  Aroint thee, villain!
Charlotte  :  Stay back, thou knave.
George  :  Stand thy ground, I say.


Charlotte  :  When you do that, George, I can't help myself.
George  :  Thank you, my darling.
Charlotte  :  Kiss me. Now. Before the moment passes.


George  :  Am I getting old, Charlotte?
Charlotte  :  No, dear, you're just falling apart.
George  :  No wonder they didn't want me for the "Pimpernel" movie.
Charlotte  :  Oh, George, let them have their Ronald Colman and their Greer Garson.


Charlotte  :  How's your neck?
George  :  Better. But don't stop.
. . . . .
Charlotte  :  George, can I ask you a question? Did you sleep with Eileen?


Roz  :  Hello, Paul
Paul  :  Hi, Roz
Roz  :  I thought you were in New York?
Paul  :  I came back to work for your parents.


Charlotte  :  Are we in trouble?
George  :  We'll survive. It's television that's killing us. Entertainment by the yard. It's putting us our of business.


Charlotte  :  I just found out that we're not meeting our payroll.
Richard  :  I know that.
Charlotte  :  You do?
Richard  :  I've told George for months to start cutting down expenses.


Charlotte  :  Oh, Richard, you make me happy.
Richard  :  Good you deserve it. And frankly, so do I. I'm tired of living alone.
Charlotte  :  What about George.
Richard  :  I don't want to live with him.


Paul  :  George, I have some bad news.
George  :  What? Bad news in this company? The House of Usher Repertory Theatre?
Paul  :  George, Eileen is pregnant.


George  :  So then you might not actually be . . .
Eileen  :  I'm pregnant, George. Believe me. I'm two weeks late, and I've been tossing my guts up every morning for three weeks.
George  :  . . . Bad Oysters?


Eileen  :  She is going to figure it out when I start waddling around here like a duck! "Romeo, Romeo, quack, quack, quack."


Charlotte  :  George, the strangest item has appeared in this week's Variety. Read it dear.
George  :  Dear Charlotte. I'm carrying your husband's . . . piles. Files?
Charlotte  :  "Child!" "I'm carrying your husband's CHILD!"
George  :  Right.


Eileen  :  Charlotte, I'm sorry. But you shouldn't blame George. I guess I shouldn't have believed him when he said that next season I could play Roxanne.


Paul  :  It's your agent, from New York
George  :  I'm not here.


George  :  Well of course I know they started filming yesterday. I have a little Ronald Colman doll that I'm sticking pins into.


 George :  Henry just called. Mister Colman made a most dramatic entrance yesterday and careened head first down a flight of steps.
Charlotte  :  This is easily the most ridiculous lie you have ever told me. Good-bye, George. Take care of yourself.


Charlotte  :  Paul, guess what! George was telling the truth! Capra is coming to the matinee!
Roz  :  Mother! Would you listen!
Charlotte  :  Okay! "Dear Roz, I'll be back in a few days. Love Daddy.

. . . . . . .

Charlotte  :  NO! NO! NO!
NOOOOOOOOOOOooooo!



ACT II

Paul  :  Don't you have any ambition left? I mean, this could be it, for all of us!
Roz  :  Don't you think about anything but acting?
Paul  :  Sure directing. I've also written a play that happens to have a terrific part for you in it.


Reading from the script
"Private Lives"

Roz  :  "Ummmm, not so very enthusiastic. Again".
Paul  :  " That better"?
Roz  :  "Three times, please, I'm superstitious".
. . . . . . .
Roz  :  This isn't in the script . . .
Paul  :  I know. I'm ad-libbing.


George  :  I should write Ronald Colman a get-well card!
Dear Ronnie. How are the old pins?
  . . . . . .
That is writing, Ronnie. That is glory on the tongue, gold on the canvas. It is not the movies, it is not television, it is the theatre! The theatre!


George  : "Schedule of Performances.
. . . . .
Matinee -- Private Lives"
  :   . . . .
WRONG!
"Cyrano." . . . . Puh. She got it wrong again.


Charlotte  :  We have a half-hour till curtain.
Paul  :  We can still make it!
Charlotte  :  First we'll have to sober him up. Give him lots of coffee.


Charlotte  :  Perhaps we should start over. . . I'm Charlotte Hay.
Howard  :  Hi -
Charlotte  :  I just want to tell you what a huge fan I am of your work - "It's a wonderful life".
George  :   . . . Well, actually it happens every night at six and eleven.


Paul  :  You found him.
Charlotte  :  No, he found me while I was talking to Capra!


Eileen  :  I went to see a doctor. And yes I'm pregnant. And as I was coming out, I bumped into my brother and . . . . I told him about the baby, and he got really upset. He threatened to kill you.


Howard  :  George Hay? Gotcha!
George  :  Yes. No. I look a little like him . . . .
Howard  :  Oh, come on now. You are so.


Roz  : Eli! You remembered about the costume party!
George  :  I did?
Roz  :  But what are you doing in your costume now darling.


Roz  :  About our honeymoon, darling. At this hotel, with the two balconies, where we can lead such "Private Lives".
George  :  "Private Lives"?
Roz  :  That's right, dear. "Private Lives".


Charlotte  :  Mother, what are you doing?
Ethel  :  I thought I should try to straighten things our, if it's not too late.


Charlotte  :  George! STOP!


Ethel  :  You're right where you belong. In the pit.


George  :  I have never been so depressed in my whole life. I'd commit suicide, but nobody would notice.


George  :  Charlotte, I want to talk to you.
Charlotte  :  There's nothing to talk about.
George  :  Of course there is.
Charlotte  :  Don't touch me.


George  :  You're as beautiful now as the day we met. No. You're more beautiful.
Charlotte  :  You have glaucoma.
George  :  Cataracts.


Howard  :  This is a funny story. We met at the hospital. We started talking, and it just "happened". And you know what the best part is?
Eileen  :  Go ahead.
Howard  :  She wants to start a family right away!


George  :  There comes a moment in every man's life when it is time to step aside and pass the torch on to the younger generation. To the two of you we hereby present Romeo and his Juliet, those younger roles that your mother and I have now outgrown.
Charlotte  :  Speak for your self, dear.


Charlotte  :  That was Frank Capra. He said his plane was delayed and he did not see the matinee. He plans to attend tonights performance.
Richard  :  Which play are you doing.
Charlotte  :  "Private Lives".
George  :  "No, "Cyrano".
Roz  :  Oh, no!




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