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P.O. Box 765, Pittsfield, MA 01201-0765
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Since 1921
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Light up the Sky

By Moss Hart

Directed by Robert Boland

Assistant Director Judy McNutt

"Mad, Sire? Ah, Yes - mad indeed, but observe how they do light up the sky."
Old Skroob in "The Idle Jeste"

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LIGHT UP THE SKY : 1949 : The play is from the Pulitzer Prize-winning author of You Can’t Take it With You and The Man who Came to Dinner. It is Moss Hart's chronicle of the traumas and triumphs of out-of-town openings. "LIGHT UP THE SKY" is an insider's view of the comic horrors of creating a Broadway show and was written as a tribute to his friends in the theater. Set behind the scenes on the opening night of a pre-Broadway out-of-town tryout. It offers a rare look at show business relationships and personalities stretched to the breaking point. No character is safe from Moss Hart's mockery in his wickedly comic valentine to the theater.

The play is a rollicking comedy with show business taking center stage. Set in a Boston hotel suite, Light Up the Sky contrasts glamorous onstage images with neurotic backstage life. Hart wrote lovingly of the theater in his best-selling memoir Act I, but he was not blind to the comic potential of over-the-top, narcissistic theatrical types. This backstage comedy features the grandly temperamental leading lady; her sarcastic, gin rummy playing mother; the flamboyant director; the lowbrow producer; and his ice-skating, wisecracking wife. Contrast these with the sensitive young playwright, toss in a convention of drunken rowdies, and "magic time" becomes "manic time" at the Ritz Carlton.

Light up the Sky LOGO 1

The play takes place in the hotel room of Miss Livingston prior to the opening of a new play and follows a truck-driver-turned-playwright watching his first play being produced in Boston. Upon opening of the expermental work, the opening night seems to go awry and the producer, cast, etc, believe it is a flop and turn against themselves, the producer and the author. However, the reviews are favorable and the tables are turned as the the author turns the tables on them at the last minute.

The 1949 play shows a broad reflection of the playwright's previous two decades during New York's theatre heyday. "Light Up the Sky" is, in the playwright's words, a "simple story abut show people who love each other, get into trouble, detest each other and then find out they need each other."

This production will use the Main Stage Theater Seating Layout.

Production Dates

Friday May 12th
Saturday May 13th
Friday May 19th
Saturday May 20th

The CAST
(In order of apperance)

Miss Lowell Miss Lowell : Michele Hover Michele Hover
Carleton Fitzgerald Carleton Fitzgerald : Pat Kelly Pat Kelly
Frances Black Frances Black : Wanda Libardi Davis Wanda Libardi Davis
Owen Turner Owen Turner : David Raskin David Raskin
Stella Livingston Stella Livingston : Marilyn Hunter Marilyn Hunter
Peter Sloan Peter Sloan : James Fredenburg James Fredenburg
Sidney Black Sidney Black : Kevin Wixsom Kevin Wixsom
Irene Livingston Irene Livingston : Melanie Rivers Melanie Rivers
Tyler Rayburn Tyler Rayburn : Matt Barbas Matt Barbas
William H. Gallegher William H. Gallegher : Leo Fiorini Leo Fiorini

 

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Random Pictures from the Production
All pictures and set designs © copyright 2000 Townplayers of Pittsfield, Inc.

Light Up The Sky Set Design by
Robert Boland © copyright 2000

Light Up The Sky Set Design by Robert Boland © copyright 2000

Light Up The Sky Set Design by
Robert Boland © copyright 2000
Light Up The Sky Set Design by Robert Boland © copyright 2000

 
Light Up The Sky Costume Designs by Robert Boland
© copyright 2000   Light Up The Sky Costume Designs by Robert Boland
© copyright 2000  
Light Up The Sky Costume Designs by Robert Boland © copyright 2000

Auditions were on March 20th & 21st at the Town Players Workshop at 148 Lebanon Ave. Auditions are at 7:00PM.

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SCENE

Act I   The living-room of Irene Livingston's Ritz-Carlton Hotel suite at Boston, MA.
Time 5:30P.M.
Carleton :Do you know Miss. Lowell, my wife
                calls it "MAGIC TIME" - those few magic
                hours when the play belongs to the author. Carleton : Do you know Miss. Lowell, my wife calls it "MAGIC TIME" - those few magic hours when the play belongs to the author.
Frances : If Sidney can sink $300,000 bucks into a play, I can shop. Get a load of that. Frances : If Sidney can sink $300,000
                bucks into a play, I can shop. Get a load of
                that.

 

Owen :
                As usual, at magic time, someone is always left
                out. it's always the same . . . Just the author. Owen : As usual, at magic time, someone is always left out. it's always the same . . . Just the author.

 

Stella : You never saw such carring on - it was like going into a cathedral . . . Then Irene says "After this, I may never act again". Stella : You
                never saw such carring on - it was like going
                into a cathedral . . . Then Irene says
                "After this, I may never act again".

 

Irene :
                Do you think that anything short of death itself
                could stop me from going on in Peter's beautiful
                play? Irene : Do you think that anything short of death itself could stop me from going on in Peter's beautiful play?

 

Frances : give a look at the war paint. They're going to know there's an opening up here tonight. Frances :
                give a look at the war paint. They're going to
                know there's an opening up here tonight.

 

Irene :
                Mother, really, you're not going to play that
                dreadful gin game now? Irene : Mother, really, you're not going to play that dreadful gin game now?

 

Carleton : A little peasant necklace - but these tiny bits of glass glow with the light of immortality. Carleton :
                A little peasant necklace - but these tiny bits
                of glass glow with the light of immortality.
Peter :
                to all of you - for showing me a new world - a
                new frontier - the real democracy of the theater.
                Thank you for that. Peter : to all of you - for showing me a new world - a new frontier - the real democracy of the theater. Thank you for that.
Act II   The Same. Time about 11:42 that evening.
Stella : Cheer up Frances. It's only money. You've still got your ice-skates. Stella :
                Cheer up Frances. It's only money. You've still
                got your ice-skates.

 

Tyler :
                I said it went extremely well.

                Frances :
                What theater were you at?
Tyler :                I went to see Oklahoma. Tyler : I said it went extremely well.
Frances : What theater were you at?
Tyler : I went to see "Oklahoma."

 

Irene : I said, "Peter - look - balloons! That's great good luck. Irene :
                I said, "Peter - look - balloons! That's
                great good luck.

 

Irene : Tyler, oh, Tyler, take me away and give me a child - a child that won't turn on me - at least until it's older. Irene :
                Tyler, oh, Tyler, take me away and give me a
                child - a child that won't turn on me - at least
                until it's older.

 

Carlton :                I have no intention of speaking tagain to anyone
                connected wth this play for the rest of my life. Carlton : I have no intention of speaking tagain to anyone connected wth this play for the rest of my life.

 

Stella :
                If I know my daughter she's getting laryngitis
                right now. Stick around. Stella : If I know my daughter she's getting laryngitis right now. Stick around.

 

Peter : Hello, airport? What's the next plane out? Peter :
                Hello, airport? What's the next plane out?
Act III   The same. Time 3:30 A.M.
Frances :
                It's still worth something?
Stella :
                you have to pay somebody tocart it away from the
                theater - and then you have to pay somebody to
                burn it. Frances : It's still worth something?
Stella : you have to pay somebody tocart it away from the theater - and then you have to pay somebody to burn it.

 

Gallegher : I want to apologize for those Shriners who were at the theater tonight. Gallegher :
                I want to apologize for those Shriners who were
                at the theater tonight.

 

Gallegher :
                this is a real pleasure - to meet the man who put
                on that wonderful show! Gallegher : this is a real pleasure - to meet the man who put on that wonderful show!

 

Sidney : This is what I dreamt about! A Roman candle in the tired face of show business. Sidney :
                This is what I dreamt about! A Roman candle in
                the tired face of show business.

 

Irene :                Oh, what a lucky woman I am to have Sidney and
                Carleton at my side! Irene : Oh, what a lucky woman I am to have Sidney and Carleton at my side!

 

Sidney : He checked out. About an hour ago! He's gone! Sidney :
                He checked out. About an hour ago! He's gone!

 

Cop :
                Do you think you can handle him? He's given me
                lots of trouble. Cop : Do you think you can handle him? He's given me lots of trouble.

 

Peter : you don't fool me for a minute. You'll do anything, say anything, try anything to get what you want! Peter :
                you don't fool me for a minute. You'll do
                anything, say anything, try anything to get what
                you want!

 

Sidney :
                All right! Act one. Scene one! Let's fix the
                show!. Sidney : All right! Act one. Scene one! Let's fix the show!.

 

 

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All productions are at Berkshire Community College's Koussevitzky Arts Center
Upper West Street
Robert Boland Theater at 8:00 PM

Berkshire Community College is located on Upper West Street in Pittsfield
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Town Players of Pittsfield, Inc.
P.O. BOX 765
Pittsfield, MA 01202-0765
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Phone Number : (413) 443-9279

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